Artist
|
Composer |
Title |
Genres |
Album |
Released |
Duration |
| Werner Tripp, Ivan Pinkava, Anton Heiller & Antonio Janigro | Bach | Concerto in A Minor for Flute, Violin and Harpsichord, BWV 1044: iii. Tempo di alla breve | Orchestral | Bach Orchestral Music - Little Big Box | 2014 | 6:53 |
| Werner Tripp, Ivan Pinkava, Anton Heiller & Antonio Janigro | Bach | Concerto in A Minor for Flute, Violin and Harpsichord, BWV 1044: ii. Adagio, ma non tanto, e dolce | Orchestral | Bach Orchestral Music - Little Big Box | 2014 | 6:14 |
| Werner Tripp, Ivan Pinkava, Anton Heiller & Antonio Janigro | Bach | Concerto in A Minor for Flute, Violin and Harpsichord, BWV 1044: i. Allegro | Orchestral | Bach Orchestral Music - Little Big Box | 2014 | 9:07 |
| Weser-Renaissance & Manfred Cordes | Schütz | Die Erde trinkt für sich SWV 438 | Vocal | Heinrich Schütz - Secular Works | 1997 | 2:06 |
| Weser-Renaissance & Manfred Cordes | Schütz | Freue dich des Weibes deiner Jugend SWV 453 | Vocal | Heinrich Schütz - Secular Works | 1997 | 3:53 |
| Weser-Renaissance & Manfred Cordes | Schütz | Glück zu dem Helikon SWV 96 | Vocal | Heinrich Schütz - Secular Works | 1997 | 2:07 |
| Weser-Renaissance & Manfred Cordes | Schütz | Haus und Güter erbet man von Eltern SWV 21 | Vocal | Heinrich Schütz - Secular Works | 1997 | 3:51 |
| Weser-Renaissance & Manfred Cordes | Schütz | Itzt blicken durch des Himmels Saal SWV 460 | Vocal | Heinrich Schütz - Secular Works | 1997 | 8:32 |
| Weser-Renaissance & Manfred Cordes | Schütz | Läßt Salomon sein Bette nicht umgeben SWV 452 | Vocal | Heinrich Schütz - Secular Works | 1997 | 5:18 |
| Weser-Renaissance & Manfred Cordes | Schütz | Liebster, sagt in süßem Schmerzen SWV 441 | Vocal | Heinrich Schütz - Secular Works | 1997 | 3:52 |
| Weser-Renaissance & Manfred Cordes | Schütz | Nachdem ich lag in meinem öden Bette SWV 451 | Vocal | Heinrich Schütz - Secular Works | 1997 | 4:28 |
| Weser-Renaissance & Manfred Cordes | Schütz | Siehe, wie fein und lieblich ists SWV 48 | Vocal | Heinrich Schütz - Secular Works | 1997 | 6:42 |
| Weser-Renaissance & Manfred Cordes | Schütz | Syncharma musicum SWV 49 | Vocal | Heinrich Schütz - Secular Works | 1997 | 5:08 |
| Weser-Renaissance & Manfred Cordes | Schütz | Teutoniam dudum belli atra pericla SWV 338 | Vocal | Heinrich Schütz - Secular Works | 1997 | 5:16 |
| Weser-Renaissance & Manfred Cordes | Schütz | Tugend ist der beste Freund SWV 442 | Vocal | Heinrich Schütz - Secular Works | 1997 | 5:29 |
| Weser-Renaissance & Manfred Cordes | Schütz | Vier Hirtinnen, gleich jung, gleich schön | Vocal | Heinrich Schütz - Secular Works | 1997 | 5:05 |
| Weser-Renaissance & Manfred Cordes | Schütz | Wie wenn der Adler SWV 434 | Vocal | Heinrich Schütz - Secular Works | 1997 | 1:58 |
| Weser-Renaissance & Manfred Cordes | Schütz | Wohl dem, der ein tugendsam Weib hat SWV 20 | Vocal | Heinrich Schütz - Secular Works | 1997 | 6:59 |
| Wesley Wallace | | Number 29 | | L'Histoire Du Piano Jazz CD3 | | 3:15 |
| Whispering Jack Smith | Gershwin | Clap Yo' Hands | Vocal | Ultimate Gershwin 2 | | 2:38 |
| Whispering Jack Smith | Gershwin | My One And Only (What Am I Gonna Do?) | Vocal | Ultimate Gershwin 2 | | 2:19 |
| White Denim | | At Night in Dreams | | Uncut Dec13 - Blue Notes | | 4:05 |
| White Magic | | Long Time Ago | | Rogues' Gallery | 2006 | 2:35 |
| Who, The | | Anyway, Anyhow, Anywhere | | Who's Better Who's Best | 1988 | 2:39 |
| Who, The | | Baba O'Riley | | Who's Better Who's Best | 1988 | 4:57 |