| 1. Introduction: Brandenburg Concerto, No.3, Third Movement | not rated | 0:00 |
| 2. Examples of Analog Timbres | not rated | 0:00 |
| 3. Choral Tone, Vibrato, Articulatio: Symphnoy, No.9, Hard Soft Attacks | not rated | 0:00 |
| 4. Vocal Synthesis: Domine Ad Adjuvandum/Symphony, No.9/Timesteps | not rated | 0:00 |
| 5. Performance Values: Timesteps/Brandenburg, No.6/Bist du Bei Mir | not rated | 0:00 |
| 6. Simple Orchestration: Pomp Rag/Brandenburg, No.1, First Movement/Polacc | not rated | 0:00 |
| 7. Electronic Pointillism & Hocketing: Sontat in D, K 491/Sontat in D, K 9 | not rated | 0:00 |
| 8. For Spatial Motion: Geodesic Dance | not rated | 0:00 |
| 9. Ensemble Performance Via Click-Tracks: Brandenburg Concerto, No.6, Thir | not rated | 0:00 |
| 10. Imintative Synthesis: Pompous Circumstances/William Tell | not rated | 0:00 |
| 11. Musique Concrete Plus Synthesizer: Sonic Seasoning-Summer/Sonic Seasoni | not rated | 0:00 |
| 12. Orchestra With Synthesizer: Tron | not rated | 0:00 |
| 13. Digital Synthesis: Lo/Ganymede | not rated | 0:00 |
| 14. Digital vs. Analog: Lapetus/Nutcracker-Trepak | not rated | 0:00 |
| 15. Hybrid Timbres: Luna | not rated | 0:00 |
| 16. Alternative Tunnings-The Future: Ganymede | not rated | 0:00 |
Social info