Artist
|
Title |
Album |
Released |
Duration |
| Franz Liszt | Ouverture du Roi Lear, S474 (from Berlioz: Roi Lear, Op. 4) | 52 Saint-Saëns, Chopin and Berlioz Transcriptions [05] | 2011 | 16:26 |
| Franz Liszt | Ouverture Oberon: Clavier-Partitur, S574 (Weber, J306) | 41-42 Liszt at the Opera III [30] | 2011 | 8:38 |
| Franz Liszt | Ouvertüre zu Wagners Tannhäuser, S442 | 47-48 Liszt at the Opera VI [54] | 2011 | 17:43 |
| Franz Liszt | Paralipomènes à la Divina Commedia (Dante Sonata, first version), S158a | 80-81 First Thoughts and Second Drafts I [51] | 2011 | 20:05 |
| Franz Liszt | Paraphrases - Prélude (Liszt) | Complete Piano Music | 2009 | 0:45 |
| Franz Liszt | Part I: In nativitate Domini - Responsorium 1 Versus: Gloria in excelsis Deo | 27-28 Responsorien und Antiphonen S30 [46] | 2011 | 0:44 |
| Franz Liszt | Part II: Feria V in coena Domini - Responsorium 1 In monte Oliveti | 27-28 Responsorien und Antiphonen S30 [46] | 2011 | 1:33 |
| Franz Liszt | Part II: Variant Harmonizations - Responsorium 1 In monte Oliveti | 27-28 Responsorien und Antiphonen S30 [46] | 2011 | 1:33 |
| Franz Liszt | Part III: Feria VI in Parasceve - Responsorium 1 Omnes amici mei | 27-28 Responsorien und Antiphonen S30 [46] | 2011 | 1:31 |
| Franz Liszt | Part III: Variant Harmonizations - Responsorium 4 Tamquam ad latronem; Versus: Cimque injecissent | 27-28 Responsorien und Antiphonen S30 [46] | 2011 | 1:32 |
| Franz Liszt | Part IV: Sabbato maioris hebdomadae (Sabbato Sancto) - Responsorium 1 Sicut ovis | 27-28 Responsorien und Antiphonen S30 [46] | 2011 | 1:24 |
| Franz Liszt | Part IV: Variant Harmonizations - Responsorium 6 Ecce quomodo moritur | 27-28 Responsorien und Antiphonen S30 [46] | 2011 | 1:42 |
| Franz Liszt | Part V: In Officio defunctorum - Responsorium 1 Credo quod Redemptor meus | 27-28 Responsorien und Antiphonen S30 [46] | 2011 | 1:13 |
| Franz Liszt | Pasio et Resurrectio (Passion und Auferstehung) - Tristis est anima mea | Christus | 2003 | 14:12 |
| Franz Liszt | Pastorale: Schnitter-Chor aus dem Entfesselten Prometheus, S508 (aus Liszt: Chöre zu Herders Entfesseltem Prometheus, S | 49 Liszt at the Theatre [18] | 2011 | 5:26 |
| Franz Liszt | Pásztor Lakodalmas: Mélodies hongroises (Festetics, with elaborations by Liszt), S405a | 85-88 Rarities, Curiosities, Album-Leaves and Fragments [56] | 2011 | 7:59 |
| Franz Liszt | Pensées "Nocturne," S168b | 90 New Discoveries II | 2011 | 2:09 |
| Franz Liszt | Petite Valse (Nachspiel zu den drei vergessenen Walzer) (completed by L. Howard), S695d | 85-88 Rarities, Curiosities, Album-Leaves and Fragments [56] | 2011 | 2:15 |
| Franz Liszt | Petite valse favorite (first version), S212i | 82-84 First Thoughts and Second Drafts II [55] | 2011 | 2:42 |
| Franz Liszt | Petite Valse favorite (second version), S212a | 21-22 Dances; Marches [28] | 2011 | 3:40 |
| Franz Liszt | Phantasiestück über Motive aus Rienzi, S439 (Wagner) | 41-42 Liszt at the Opera III [30] | 2011 | 8:47 |
| Franz Liszt | Piano Concerto in e "Malédiction," S121 - Quasi moderato (Malédiction); Sostenuto; Molto agitato; Calmato (Pleurs, ang | 95-96 Music for Piano and Orchestra I [53a] | 2011 | 4:19 |
| Franz Liszt | Piano Concerto No.1 in E-flat - Allegro maestoso. Tempo Giusto | Piano Concerti Nos. 1 and 2; Totentanz; Transcendental Etudes | 1993 | 5:40 |
| Franz Liszt | Piano Concerto No.2 in A - Adagio sostenuto assai | Piano Concerti Nos. 1 and 2; Totentanz; Transcendental Etudes | 1993 | 6:42 |
| Franz Liszt | Piano Piece in A-flat (No 2 aus Fünf Klavierstücke, S192) | 19 Late Pieces [11] | 2011 | 2:08 |