Artist
|
Composer |
Title |
Genres |
Album |
Released |
Duration |
| Bettina Hoffmann | Anonymous | French Dances, Manuscript Paris, Bibliothèque Nationale, f. f. 844: La Septime Estampie Real | Early Music | Dances from England, France and Italy | 2006 | 6:25 |
| Bettina Hoffmann | Anonymous | Ghaetta | Early Music | Dances from England, France and Italy | 2006 | 4:18 |
| Bettina Hoffmann | Anonymous | I. Appellatio: Au tans plain de felonie (Thibaut de Champagne) | Early Music | La Musica Dei Crociati | 2006 | 3:44 |
| Bettina Hoffmann | Anonymous | I. Appellatio: Chevalier mult estes guariz (Anon.) | Early Music | La Musica Dei Crociati | 2006 | 6:13 |
| Bettina Hoffmann | Anonymous | I. Appellatio: Crucifigat omnes (Carmina Burana 47) | Early Music | La Musica Dei Crociati | 2006 | 2:38 |
| Bettina Hoffmann | Anonymous | I. Appellatio: De transfretantibus (Anon.) | Early Music | La Musica Dei Crociati | 2006 | 1:44 |
| Bettina Hoffmann | Anonymous | I. Appellatio: La Quinte Estampie Real (Anon.) | Early Music | La Musica Dei Crociati | 2006 | 3:12 |
| Bettina Hoffmann | Anonymous | I. Appellatio: Parti de mal et a bien atourné (Anon.) | Early Music | La Musica Dei Crociati | 2006 | 5:14 |
| Bettina Hoffmann | Anonymous | I. Appellatio: Seignor, sachiez qui or ne s'en ira (Thibaut de Champagne) | Early Music | La Musica Dei Crociati | 2006 | 6:56 |
| Bettina Hoffmann | Anonymous | Ich was ein chint so wolgetan, CB 185 | Early Music | Carmina Burana | 2006 | 4:03 |
| Bettina Hoffmann | Anonymous | II. Dure Departie: A vous, Amors, plus qu'a nule autre gent (Le Chastelain de Couci) | Early Music | La Musica Dei Crociati | 2006 | 5:07 |
| Bettina Hoffmann | Anonymous | II. Dure Departie: Aler m'estuet la ou je trerai paine (Gilles le Vinier? - le Chastelain d'Arras ?) | Early Music | La Musica Dei Crociati | 2006 | 8:16 |
| Bettina Hoffmann | Anonymous | II. Dure Departie: Dame, ensinc est qu'il m'en covient aler (Thibaut de Champagne) | Early Music | La Musica Dei Crociati | 2006 | 5:01 |
| Bettina Hoffmann | Anonymous | II. Dure Departie: La Seconde Estampie Royal (Anon.) | Early Music | La Musica Dei Crociati | 2006 | 2:00 |
| Bettina Hoffmann | Anonymous | II. Dure Departie: Li departirs de la douce contree (Chardon de Croisilles de Reims) | Early Music | La Musica Dei Crociati | 2006 | 5:53 |
| Bettina Hoffmann | Anonymous | II. Dure Departie: Li nouveax temps et maiz et violete (Le Chastelain de Couci) | Early Music | La Musica Dei Crociati | 2006 | 7:44 |
| Bettina Hoffmann | Anonymous | II. Dure Departie: Tr. 9 à 7'21 | Early Music | La Musica Dei Crociati | 2006 | 7:21 |
| Bettina Hoffmann | Anonymous | III. Passagium Laboriosum: Chanterai por mon coraige (Guiot de Dijon) | Early Music | La Musica Dei Crociati | 2006 | 7:47 |
| Bettina Hoffmann | Anonymous | III. Passagium Laboriosum: Congregati sunt (Gregorian Chant) | Early Music | La Musica Dei Crociati | 2006 | 2:44 |
| Bettina Hoffmann | Anonymous | III. Passagium Laboriosum: Desolata mater , Que nutritos , Filios enutrivi (from Roman de Fauvel) | Early Music | La Musica Dei Crociati | 2006 | 2:45 |
| Bettina Hoffmann | Anonymous | III. Passagium Laboriosum: Diro satis percussus vulnere (Riccardo di San Germano) - Tristan's Lament [Anon.] | Early Music | La Musica Dei Crociati | 2006 | 3:59 |
| Bettina Hoffmann | Anonymous | III. Passagium Laboriosum: In gotes namen fara wir (Lutheran Choral) | Early Music | La Musica Dei Crociati | 2006 | 0:58 |
| Bettina Hoffmann | Anonymous | III. Passagium Laboriosum: Ja nuns hons pris (Roy Richart, «Richard Hearthlion»), Part II. | Early Music | La Musica Dei Crociati | 2006 | 1:16 |
| Bettina Hoffmann | Anonymous | III. Passagium Laboriosum: Ja nuns hons pris (Roy Richart, «Richard Hearthlion»), Part I. | Early Music | La Musica Dei Crociati | 2006 | 8:18 |
| Bettina Hoffmann | Anonymous | III. Passagium Laboriosum: La Quarte Estampie Royal (Anon.) | Early Music | La Musica Dei Crociati | 2006 | 2:23 |